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    Work, Rest and Play at Palau de Casavells

    James Rielly

    Palau de Casavells is pleased to present «Work, Rest and Play at Palau de Casavells», the British artist’s first exhibition at the gallery, which reviews the last two decades of his artistic creation.

    James Rielly’s (Wales, 1956) work is characterised by the use of pastel tones and watery strokes,

    creating a sphere of tension and unease that reveal the artist’s intention to insinuate and leave the interpretation of his works open to the viewer. The scenes that appear in his work are tinged with humour and irony, mostly children’s por- traits, based on stories and images culled from newspaper articles, old books, comics or magazines that he keeps for inspiration. He invites visitor to question things like the stages of transition to adulthood and the construction of an individual’s identity.

    Those images, together with the artist’s imagination, are the starting point for Rielly’s works, whose characters often convey in their faces gestures of inquiry that evoke a hidden idea, a feeling, an event that cannot be explained or words that cannot be expressed.

    THE FAMILY SHRINE
    2012. Oil on canvas. 183 x 153 cm

    LOVE AND BE LOVED IN RETURN
    2021. Oil on canvas. 204 x 183 cm

    USING VOODOO
    2023. Oil on linen. 198 x 168 cm

    SOME OF THE COLOURS
    2022. Watercolour on paper. 140 x 100 cm

    THE LIGHT SHINES OUT OF EVERYONE
    2020. Watercolour on paper. 140 x 100 cm

    AT THE CENTER OF MOST EVENTS
    2021. Oil on canvas. 198 x 168 cm

    WITHOUT RHYME OR REASON, IN LOVE
    2017. Oil on canvas. 183 x 204 cm

    Curiously, this happiness is hidden behind characters – mainly children – who at first sight appear to be burdened with sadness, with tear-stained faces and sorrowful expressions, creating an array of feelings in the spectator which are completely open to the imagination.
    However, not all the tears in these works are caused by grief, but also by joy.

    «I always see the act of crying as positive. For me it represents joy rather than sadness»

    MEOW, MEOW
    2023. Oil on linen. 198 x 168 cm

    BORN WITH A PLASTIC SPOON, KNIFE AND FORK IN MY MOUTH
    2021. Watercolour on paper. 76 X 56 cm

    BRIGHT AS A BUTTON
    2020. Watercolour on paper. 38 x 28 cm

    IN LIGHT
    2015. Watercolour on paper. 38 x 28 cm

    «James Rielly is different. Behind this explosion of colour and pop he is giving us a message, he is saying not everything we see is what it appears to be. I’m very attracted by this idea of showing what isn’t, a bit like Alice in Wonderland, with a mirror in which we can see ourselves but what is important is what is behind the mirror»

    Fernando Francés, curator or James Rielly’s monographic exhibition at the C.A.C this past 2022.

    IMAGINARY AND PARTLY REAL
    2023. Oil on linen. 198 x 168 cm

    WE ARE STARDUST, WE ARE GOLDEN
    2023. Oil on linen. 198 x 168 cm

    LET’S HAVE TEA TOGETHER
    2023. Oil on linen. 198 x 168 cm

    It is on this material that he has created numerous faces and different figures, where circular elements, stripes and masked faces with big blue eyes are predominant, a key piece in the work of this artist, with which he seeks to emphasise this hidden expressiveness of the character, although he always hides something mysterious behind it.

    IRIS, IRIS, IRIS
    2022. Watercolour on paper. 76 x 58 cm

    VERTICAL AND HORIZONTAL LINES
    2020. Watercolour on paper. 140 x 100 cm

    TOGETHER IN THE WISHFUL THINKING
    2023. Oil on linen. 216 x 173 cm

    SEND YOUR LOVE IN ALL DIRECTIONS
    2023. Oil on linen. 216 x 173 cm

    LOVE POURS OUT OF YOUR EYES
    2020. Watercolour on paper. 140 x 100 cm

    FROM ONE PLACE TO ANOTHER
    2021. Watercolour on paper. 76 x 57 cm

    GHOSTS WORKING WITH FEARS AND INHIBITIONS
    2017. Oil on linen. 65 x 54 cm

    THE FOUR CORNERS
    2021. Oil on canvas. 203 x 305 cm

    DO’ES AND DON’TS
    2021. Oil on canvas. 198 x 168 cm

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