Spending time painting at the Costa Brava last year led to a new colour palette in Nuria Maria’s work: The faded, eroded colours around the coastline affected her paintings deeply. Falling in love with the sun-stained and salt-faded colours of the area, and becoming deeply fascinated with the idea of how time is shown so beautifully by this given; the sea salt eroding the colours of the area over the years, showing how everything is intertwined in nature. This is ‘Sòl Sec’ – ‘Dry Ground’ is an ode to the Catalan landscape.

Sailing along the coastline. The deep blue sea and the wind. On a little boat we are passing by the big granite rocks. These mighty high rocks. The lines in the stone. The fossils that must be hidden in there. The history they carry and the fresh sea water splashing against the shore. Bright sunlight shining on the warm sandy surface of the granite, cool on the inside. They stand tall, high and dry. 

The red granite became a leading image for making this show. Taking the Catalan nature as a base idea for the paintings, one element was building a significant foundation: under every image there it was: the dry ground.
High rocks. warm sand. Dry rye fields and bright field flowers. Dust on the road. Succulents on stones. Shadows under the pine trees that grow from the dry soil nourishing the plants. White oleanders and their roots growing in the dry rocky ground. Warm stones in the sand, big cliffs along the coastline and the rock bottom of the sea, carrying the clear water.
Where the sea salt erodes colours and shows the passing of the time, the rocks and ground for me stand more for the keepers of the time. The layer under all things. The dry foundation of this rich nature. Sól Sec. The base ground for the colours of the area and the solid carrier for everything that grows from it.

-Nuria Maria