Antonia Ferrer

Sevilla, Spain, 1965

Vent 5 - 2024. Old steel embedded in brushed cement. 32 x 22 x 22 cm.
Vent 4 - 2024. Old steel embedded in brushed cement. 40 x 12 x 13 cm.
Vent 3 - 2024. Old steel embedded in brushed cement. 53 x 19 x 19 cm.
Vent 2 - 2024. Old steel embedded in brushed cement. 32 x 25 x 29 cm.
Vent 1 - 2024. Old steel embedded in brushed cement. 26 x 23 x 16 cm.
24/24 Cicatrices cobrizo - 2024. Oil on primed wood. 160 x 130 cm.
24/21 Cicatrices gris cálido - 2024. Oil on primed wood. 160 x 130 cm.
24/19 Cicatrices negro carbón - 2024. Oil on primed wood. 160 x 130 cm.
24/20 Cicatrices gris cálido - 2024. Oil on primed wood. 160 x 130 cm.
24/23 Cicatrices marfil vertical - 2024. Oil on primed wood. 160 x 130 cm.
24/22 Cicatrices marfil claro vertical - 2024. Oil on primed wood. 160 x 130 cm.
24/25 Cicatrices azul grisáceo oscuro - 2024. Oil on primed wood framed in oak. 146 x 114 cm.
24/29 Cicatrices azul grisáceo oscuro - 2024. Oil on primed wood framed in oak. 81 x 67 cm.
24/26 Cicatrices azul grisáceo claro - 2024. Oil on primed wood framed in oak. 146 x 114 cm.
24/28 Cicatrices topo - 2024. Oil on primed wood framed in oak. 146 x 114 cm.
24/30 Cicatrices gris cálido - 2024. Oil on primed wood framed in oak. 81 x 67 cm.
24/27 Cicatrices blanco roto - 2024. Oil on primed wood framed in oak. 146 x 114 cm.
24/31 Cicatrices gris claro sucio - 2024. Oil on primed wood framed in oak. 81 x 67 cm.
24/32 Cicatrices azul agrisado claro - 2024. Oil on primed wood framed in oak. 81 x 67 cm.
24/33 Cicatrices azul agrisado claro - 2024. Oil on primed wood framed in oak. 81 x 67 cm.
23/93 Luna roja - 2023. Mixed media on wood. 120 cm (diameter).
23/92 Luna blanco roto - 2023. Mixed media on wood. 120 cm (diameter).
23/90 Cuerdas negro carbón - 2023. Mixed media on wood. 120 x 120 cm.
23/87 Cuerdas verde agua claro vertical - 2023. Mixed media on wood and oak frame. 164 x 132 cm.
23/61 Cicatrices marfil - 2023. Mixed media on canvas. 70 x 58 cm.
23/60 Cicatrices azul 3 - 2023. Mixed media on canvas. 70 x 58 cm.
23/57 Cuerdas verde agua - 2023. Mixed media on canvas. 122 x 154 cm.
23/52 Cicatrices amarillo -2023. Mixed media on wood. 100 x 100 cm.
23/51 Cicatrices marfil -2023. Mixed media on wood. 100 x 100 cm.
23/40 Cuerdas agua 4 - 2023. Mixed media on wood. 120 x 120 cm.
23/39 Cuerdas agua 3 - 2023. Mixed media on wood. 120 x 120 cm.
23/38 Cuerdas carbón - 2023. Mixed media on wood. 162 x 130 cm.
23/37 Cuerdas blanco roto - 2023. Mixed media on wood. 162 x 130 cm.
22/86 Vacíos hueso - 2022. Mixed media on canvas. 20 x 20 x 5 cm.
22/60 - 2022. Mixed media on canvas. 140 x 200 cm.

About

Sevilla, Spain, 1965

There are artists who, through their simplicity, connect with the roots of tradition. They are what we could call intuitive artists, those who, like a dowser, are able to detect water underground, even in the most infertile desert.
Antonia Ferrer is one of those artists: only with her hands, with clear and simple matter, as if it were only sand or light earth, she is able to connect with oriental painting -especially Korean and Japanese-, giving a flat surface the depth of a landscape, the remoteness of a sea, the darkness of a well.
Ferrer is inspired by many sources: from Tapies´ surfaces, to the Mediterranean, the light of its beaches. It seems an easy exercise, but in that false and impossible ease lies the quality and passion that her pieces generate. She is an artist at the onset of a path, a well-trodden path, but one in which, from the beginning, she has left her own very recognizable mark.

“My philosophy is the pursuit of simplicity. I do not allow myself to get so focused on details on their own, I simplify to the maximum. I like to call it ‘my sieve’ which passes only the essential, the significant.
In my paintings I explore primitive materials which, applied in a gestural way, blur the line between sculpture and painting. Almost like a bas-relief.
The process is deeply minimalist in appearance: First, I use the previously worked surface instead of the white canvas. Thus, I create a tactile base of texture and, secondly, I cover it with a bath of color. Then I like to see how the color reacts to the existing marks. Creating light and shadow. Working in this way I produce results that I could not previously plan or imagine. Everything evolves in a natural way, like life itself.
I manipulate the matter by creating traces inspired by the footprints left by the sea after a storm. When everything is calm. The sea inspires me.
In fact, through the levity in colour and composition, I try to reflect a state of calm, serenity and aesthetic simplicity that leads to the sensual perception of my work.”

Antonia Ferrer

CV

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SELECTED GROUP AND SOLO EXHIBITIONS
Solo Exhibition, Alzueta Gallery, Barcelona, Spain (2022)
Álbum de familia, Alzueta Gallery, Madrid, Spain (2022)
Solo Exhibition, Alzueta Gallery, Barcelona, Spain (2021)
Vivir con arte, AD SPAIN, Madrid, Spain (2021)
Les Sentiments de Choses, Paris, France (2021)
Solo Show, Season Opening, Alzueta Gallery, Barcelona, Spain (2020)
Génesis, Terracotas, Almussafes, Valencia, Spain (2014)
Paisatges Somniats, Rótova Cityhall, Valencia, Spain (2010)
Forma y Figura, Almussafes, Valencia, Spain (2009)
Obras varias, Enric Valor, Benifaió, Valencia, Spain (2008)
Paisatges Somniats, Almussafes, Valencia, Spain (2007)

FAIRS
ESTAMPA, Alzueta Gallery, Madrid, Spain (2023)
ESTAMPA, Alzueta Gallery, Madrid, Spain (2022)
Art Moderne, Paris, France (2021)
Volta Basel, Basel, Switzerland (2021)
Art Madrid, Madrid, Spain (2021)

Selected twice (2009 and 2010) to be among the official artists in the Fine Art Catalogue of Valencia’s Cityhall (SARC)

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    Selected Exhibitions

    NEW PORTRAITS

    Alzueta Gallery Turó

    Finished

    15/02/2024 to 22/03/2024

    DESPUES DEL AGUA

    Alzueta Gallery Madrid

    Finished

    21/03/2024 to 20/04/2024

    A MELODY OF MADNESS

    Alzueta Gallery Turó

    Finished

    04/04/2024 to 19/04/2024