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    UVNT 2023

    Initially Moreira’s practice is a way of solving problems which build on an intuitive work process which can be triggered by contemporary culture endorsing both phycological and political aspects.

    Working primarily in small scale with oil pastels and sticks on found cardboard food packages which are collaged, his images have an immediacy often shifting between representative elements to abstract patterns.

    The different mediums and surfaces, number of themes and even the scale are all circumstantial, in the sense that it is his day-to-day living that determines the studio processes.

    The act of analysis has little space in the specific creative process but looking at the artists oeuvre one can conclude that Moreiras practice is an ongoing commentary and staging of events related to the human condition.

    FERAL
    2022. Oil pastel on paper. 69 x 83 cm

    DEAD MAN’S CHEST
    2022. Oil pastel on paper. 69 x 83 cm

    POUCA-TERRA
    2022. Oil pastel on paper. 69 x 83 cm

    VENISON
    2022. Oil pastel on paper. 69 x 83 cm

    AND I STILL RISE
    2022. Ink and varnish on tile. 75 x 60 cm

    THE KIDS CALL HIM JIMMY, THE SAINT
    2022. Oil pastel on paper. 71 x 62 cm

    THE MORON BROTHERS
    2022. Oil pastel on paper. 71 x 62 cm

    THE FELLOWSHIP
    2022. Oil pastel on paper. 60 x 65 cm

    THE ANGEL
    2022. Oil, oil stick and collage on canvas. 172 x 144 cm

    Gabrielle Graessle was born in Zurich, Switzerland in 1956 and has been fascinated by painting and drawing since she was a child. She attended the Zurich Art School for 5 years, where she completed a degree in graphic design. The first exhibitions took place while she was still a student. During this time she made mainly black and white charcoal drawings in which she spontaneously depicted her personal imagery.

    All kinds of sorts enter into Gabrielle’s drawings and paintings: animals, nature, fashion, films, books, news, also feelings, music, images from childhood up to now, there’s no restrictions. Gabrielle’s paintings can be described as colorful, and figurative. We can find it apparently that she loves large paintings the most, as she explained that it’s such a blessed to be surrounded by her creative paintings.

    Her paintings are colorful, figurative, and peculiar, sometimes accompanied by words, sometimes with glitter.

    UNTITLED
    2022. Acrylic, oil pastel on paper. 83,5 x 58,5 cm

    HOKA HOKA
    2021. Acrylic and glitter on paper. 57 x 49 cm

    UNTITLED
    2022. Acrylic on paper. 114 x 80 cm

    UNTITLED
    2022. Acrylic and glitter on apper. 70 x 85 cm

    UNTITLED
    2022. Oil, oil pastel on paper. 108,5 x 79,5 cm

    UNTITLED
    2022. Aerosol, glitter and oilpastel on paper. 90 x 65 cm

    UNTITLED
    2022. Acrylic, Oil pastel and glitter on paper. 62 x 45 cm

    UNTITLED
    2020. Oil and oil pastel on paper. 62 x 45 cm

    UNTITLED
    2022. Aerosol, glitter, acrylic and oilpastel on paper. 58,5 x 83,5 cm

    UNTITLED
    2022. Acrylic and glitter on apper. 70 x 85 cm

    Violeta Maya’s relationship with painting flows decisively because it is intimate and, in a way, functional in her life: far from explicitly alluding to current affairs or seeking a justifying discourse, Maya approaches the pictorial act as a genuine and personal form of escape, one that allows her to break away from the exhausting and confusing cycle of everyday life and the overdose of stimuli and images of our world.

    It is through painting that Maya can consciously manage and focus her attention. It is an almost vital link with her environment. Her approach is not heavy, but rhythmic. It is not premeditated nor brainy, but rather sprouts spontaneously and, at the same time, is capable of condensing long feelings and but rather sprouts spontaneously and, at the same time, is capable of condensing long feelings and

    PINTAR BORRACHA ES MALA IDEA I
    2022. Pigment and acrylic on canvas. 44 x 36 cm

    PINTAR BORRACHA ES MALA IDEA II
    2022. Pigment and acrylic on canvas. 44 x 36 cm

    PINTAR BORRACHA ES MALA IDEA III
    2022. Pigment and acrylic on canvas. 44 x 36 cm

    PINTAR BORRACHA ES MALA IDEA IV
    2022. Pigment and acrylic on canvas. 44 x 36 cm

    PINTAR BORRACHA ES MALA IDEA V
    2022. Pigment and acrylic on canvas. 44 x 36 cm

    QUEDÓ ATRÁS
    2022. Pigments and acrylic on canvas.  174 x 154 cm

    ENCONTRÉ LA AGUJA EN EL PAJAR
    2022. Pigments and acrylic on canvas.  144 x 144 cm

    PRECISAMENTE PORQUE EL ROSA ME INCOMODA
    2022. Pigments and acrylic on canvas.  164 x 134 cm

    Luis Vidal has returned to the Spanish art scene after a few years of living away from the country, years in which he has not ceased to seek new and surprising creative paths.

    And he has returned with a work that is as absolute and vital as ever, with his usual weapons: irony, humour and bad blood… and now using two new techniques: ceramics and text. Vidal introduces us through this exhibition into a surreal, grotesque world, full of myths, where we recognise his usual
    fears. His hands are now stained with clay and ink, as much as they used to have paint and bronze dust.

    Vidal is a bittersweet artist. He makes you feel in each work fear and calm, laughter and fear, the salt and sugar of life in each one of his pieces or messages.

    T-SHIRT PORTRAIT COLLECTING ART MAKES YOU YOUNGER
    2022. Chalkboard paint on paper.
    143 x 113 cm

    BEAR
    2021. Glazed ceramic. 42 x 28 x 23 cm

    T-SHIRT PORTRAIT COLLECTING ART PUMPS UP YOUR BICEPS
    2022. Chalkboard paint on paper.
    143 x 113 cm

    T-SHIRT PORTRAIT COLLECTING ART MAKES YOU MORE DESIRABLE
    2022. Chalkboard paint on paper.
    143 x 113 cm

    HORSE AND GLOVES
    2021. Glazed ceramic. 55 x 47 x 30 cm

    HORNS
    2022. Glazed ceramic. 64 x 36 x 41 cm

    Thomas works within an interdisciplinary practice that includes painting sculpture, drawing and installation. Through a lens that is often self-referential he is keen to explore universal themes in the human and artistic condition and the concept of what he describes as material thought, how consciousness makes its way into an object or a work of art.

    He has an affinity with traditional craft practices and the natural world both as a source of inspiration and raw material. Always seeking new territories for artistic comment , he tends to work in series , with the works functioning as modular components of a wider narrative or sentiment.

    UNTITLED (UNDULATE 002)
    2022. Charcoal and oil on canvas. 192 x 162 cm

    UNTITLED (UNDULATE 007)
    2022. Charcoal and oil on canvas. 192 x 162 cm

    UNTITLED (UNDULATE 003)
    2022. Charcoal and oil on canvas. 82 x 72 cm

    UNTITLED (UNDULATE 004)
    2022. Charcoal and oil on canvas. 82 x 72 cm

    Xevi Sola Serra is a Spanish painter working with figuration from a bold and powerful perspective. Thecharacters he depicts are unique, rare and beautiful, each one of them captured in a modest and intimate moment. His works, far from showing just what is there at plain sight, capture a feeling, a sensation that is there and that creates a tacit bond between the onlooker and the painter.

    Wearing colorful and eye-catching attires, the people portrayed in his artworks are made using colorful strokes that tend to create even more deepness in their looks and highlight their intriguing and captivating poses. Xevi’s work serves as a reminder of the beauty in boldness and rarity, and how figurative art can still be edgy and aligned with our times.

    MIA
    2022. Oil on canvas. 119 x 92 cm

    RED OVER RED
    2022. Oil on canvas. 76 x 63 cm

    KAWASAKI
    2022. Oil on canvas. 76 x 63 cm

    JOHN
    2023. Oil on canvas. 119 x 92 cm

    BE MYSTERIOUS
    2022. Oil on canvas. 119 x 92 cm

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