Vari Caramés

Fine Art Photography by Vari Caramés
Fine Art Photography by Vari Caramés
Fine Art Photography by Vari Caramés
Fine Art Photography by Vari Caramés
Untitled - 2020. Limited Edition of 5, Fine Art Photography. 100 x 150 cm.
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CV

Ferrol, Spain, 1953

SOLO EXHIBITIONS
Lugares, Fundación Luis Seoane, A Coruña, Spain (2019)
Lugares, Galería Trinta. Santiago. Spain (2018)
Miscelánea, Galería Manolo Eirín, Carballo, Spain (2018)
Ventá ao Insólito, Afundación, Santiago, Spain (2017)
Versos Sueltos, Pazo Torrado, Cambados, Pontevedra, Spain (2017)
Ventá ao insólito, Afundación Ferrol, Spain (2016)
Meninas de Vari, Centro Torrente Ballester,  Ferrol, Spain (2016)
Correos, Sala Sal, A Coruña, Spain (2016)
Vari Caramés. Ventana a lo insólito, Exposición premio internacional de fotografía contemporánea Polar Citoler, Sala Vimcorsa, Córdoba. Spain (2016)
Centro de Fotografía Contemporánea de Bilbao, Pasatiempo, Spain (2015)
Sen Numerar, JTPhotogallery, Vigo, Spain (2015)
Nadar, Sala Ufca, Algeciras 2013, Spain (2013)
Pasatiempo, Galería Trinta, Santiago, Spain (2013)
Derivas. Galería Astarté (PhotoEspaña 2013), Madrid, Spain (2013)
Ritmo Mareiro, Sala Kiosko Alfons, A Coruña, Spain (2013)
Las ciudades de Gonzalo Torrente Ballester, Fundación Gonzalo Torrente Ballester, Santiago, Spain (2012)
Mar Aberto, Encontro Artes Pola integración, Fundación Luis Seoane, A Coruña, Spain (2012)

GROUP EXHIBITIONS
Un mundo que sofre baixo un manto de flores, Paixases Interiores/Exteriores, SalasPalexco/Kiosko Alfonso, A Coruña, Spain (2020)
Basado en Historias Reales, Fundación Fotocolectania, Barcelona, Spain (2020)
XI BIAU, Paraguay (2019)
Art Élysées Paris, Alzueta Gallery, (2019)
Opening, Alzueta Gallery, (2018)
Colección CGAC 25, Santiago, Spain (2018)

About

About

Vari Caramés (Ferrol,1953)

I would define myself as self-taught. When I was nine years old we moved to A Coruña. At age fifteen my father, who was an amateur artist, gave me a manually operated Voiglander camera in order to photograph his paintings, drawings, and works made from forged iron. Later on, I  used photography as an “aid” while studying architecture which I never fully completed. I never intended to make a living as a photographer, but now I can´t live without it. I have learned how to turn defects into effects, and I am not interested in the latest tendencies or being in fashion. I use B/W and color indistinctly.

I am interested in how something rather ordinary can in fact become extraordinary. I try to evoke and suggest things which will make the spectator dream and do the same. I am inspired by all things which are timeless and undefined. I am much more intuitive than I am intellectual and chance is more exciting than certainty. In my opinion, there is a lack of poetry in the  world today, and technology can never be a substitute for emotions.

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